BATIK PEKALONGAN PADA MASA KOLONIAL (1830-1945)

NURHAYATI, FIKA (2018) BATIK PEKALONGAN PADA MASA KOLONIAL (1830-1945). Bachelor thesis, UNIVERSITAS MUHAMMADIYAH PURWOKERTO.

Preview	Text FIKA NURHAYATI COVER.pdf Download (803kB) | Preview
Preview	Text FIKS NURHAYATI BAB I.pdf Download (661kB) | Preview
Preview	Text FIKA NURHAYATI BAB II.pdf Download (660kB) | Preview
	Text FIKA NURHAYATI BAB III.pdf Restricted to Repository staff only Download (679kB)
	Text FIKA NURHAYATI BAB IV.pdf Restricted to Repository staff only Download (902kB)
	Text FIKA NURHAYATI BAB V.pdf Restricted to Repository staff only Download (603kB)
Preview	Text FIKA NURHAYATI DAFTAR PUSTAKA.pdf Download (606kB) | Preview
	Text FIKA NURHAYATI LAMPIRAN.pdf Restricted to Repository staff only Download (856kB)

Abstract

This research is aimed at investigating the general description of Pekalongan, the influence of Surakarta Kingdom, Yogyakarta Kingdom, colonialism, and Japan on the development of Pekalongan batik, and the process of batik production, motives, and its philosophy. According to the background and objectives of the research, this research used the history method by testing and analyzing the heritage. The stages of this history method included: 1. Heuristic (finding and collecting sources), 2. Criticism (covering external factors/authenticity of the sources and internal factors/credibility of the sources), 3. Interpretation (interpreting and managing data), and 4. Historiography (recording the history). The results of the research show that Pekalongan is an area located around the north coast of Java. Geographically, Pekalongan is easy to visit by various immigrants such as Indian, Arabic, Chinese, Colonial, and Japanese ethnics, even the people of Diponegoro Being able to be opened to accept external factors makes Pekalongan batik develops as a powerful cultural strength for its people. The developed Pekalongan batik during the colonialism era was influenced by some factors such as Surakarta and Yogyakarta Kingdom, colonialism, Japan, India, Arabic, and China. Some ethnics in Pakalongan enrich the batik motives with their unique characteristics which own particular philosophical values in each piece. Natural materials were used to make batik during the colonialism era, starting from ngetel and ngemplong and were finished with the process of drying under the sun. It can be concluded that Pekalongan batik in the colonialism era is the result of varied ethnics acculturation happened to be in Pekalongan.

Actions (login required)

View Item